MARIO ZAMPEDRONI’S ORIGINAL ABSTRACT LANDSCAPE AND FLORAL PAINTINGS EXECUTED WITH ACRYLIC ON CANVAS - ART BLOG AND GALLERY

Born in Milan in the 1940s, Mario Zampedroni got an early start on his artistic career. He attended an arts-focused high school where he received multiple awards for his paintings and drawings. By the time he was ready for university, he had set his sights on a career as an architect or designer.
Zampedroni tried this for while, working as a designer for a furniture company and painting in the evenings. The more he painted, the more praise he garnered, and before long he left the design world for a fine-arts focus.

What does he paint?

One of the reasons Mario Zampedroni’s work is so accessible is that he relates to the Impressionist masters of the 19th century. Zampedroni paints floral landscapes that hint at Monet, and he champions JMW Turner as one of his greatest inspirations. Turner was a 19th-century British artist who meditated on the power of light through landscape paintings.
Light features heavily in Zampedroni’s own work. The trees and rivers that he paints exude light, almost to the point that cannot hold their shape. He accomplishes this effortlessly, giving an otherworldly edge to his painting. In fact, when Zampedroni talks about his craft, he speaks of pulling energy and emotion from another dimension into this one.
Newcomers to the arts scene appreciate Zampedroni’s work because it parallels that of the masters without copying them. Chances are, viewers have seen the work that inspires him, and they’ll appreciate the new direction in which he’s taking it.

Where is his work?

The beauty of Mario Zampedroni’s painting is that he is selling original canvas and also fine art prints so that anyone can afford to buy a piece they like. These can be as simple as a poster, or they can be reprints on canvas that appear to be originals.
For those who don’t produce their own art, purchasing a little-known piece and displaying at home is a great way to expreA Work in Progress
Mario Zampedroni was recognized early as a promising artist. When he was only 13 years old, he was admitted into Castello Sforzesco High School, a center for fine arts in Milan. In his earliest years he developed both his drawing and painting skills, but it was his work with the brush that truly set him apart.
Throughout his high school career he entered several painting contests and won multiple awards, but he didn’t immediately pursue a life devoted to fine art. In the 1970s, Mario studied architecture at a polytechnic university in Milan, and worked for a time as a designer.
However even at this point, Mario Zampedroni continued to paint every chance he had. His work received increasing levels of recognition, to the point that he finally set aside his career as a furniture designer so that he could paint full time.
The benefited of having painted for so much of his life is that Mario has developed a unique personal style that is more about self-expression than adhering to an institutional form. His work is vibrant and free, clearly a genuine expression of his inmost experience.
Most of Mario Zampedroni’s paintings depict scenes from nature, and they do so with an explosive wash of colors that transcends the real. He takes flowers, rivers and forests as his subjects, but he defies their everyday aspects in favor of an unpredictable edge. Some compare his unexpected turns to those seen in Wagner concert; others prefer to enjoy his art without the baggage of comparison.
For first-time viewers, the vibrant colors featured in Mario Zampedroni paintings are their most noteworthy characteristics, but he also plays tricks with shape and matter. In some scenes, matter seems to give way to pure energy, as if a field of flowers were dissolving into a dazzling array of light.
In this way, the paintings of Mario Zampedroni are like a form of ‘abstract impressionism’. His subjects hint at real-life objects, but they have clearly been cut free from the real world. One might even say they were never rooted in the real to begin with.
In Mario Zampedroni’s own words, his inspiration does not come from anything real. Rather, he draws the subject matter of his paintings from an abstract dimension, a place where color and light are baseline elements of nature.
He has even gone so far as to say that the seemingly real elements of his work are merely an attempt to communicate with the viewer. It is as if the colors and composition themselves were the real subject of his work, but in order to draw the viewer in, he must let these elements congeal into the semblance of a natural scene or a floral arrangement.
Regardless of his inspiration or how he executes his craft, there is no question that Mario Zampedroni is on the front lines of creative expression today. Through his work, he is summoning a new generation of art appreciators who peruse cyber galleries rather than real ones.